翻訳と辞書
Words near each other
・ Géza Vlaszák
・ Géza von Bolváry
・ Géza von Cziffra
・ Géza von Radványi
・ Géza Wertheim
・ Géza Zemplén
・ Géza Zichy
・ Géza, Grand Prince of the Hungarians
・ Géza, son of Géza II of Hungary
・ Gézaincourt
・ Gézier-et-Fontenelay
・ Gézoncourt
・ Gê
・ Gérard Soler
・ Gérard Solvès
Gérard Souzay
・ Gérard Spinelli
・ Gérard Séty
・ Gérard Thibault d'Anvers
・ Gérard Thurnauer
・ Gérard Théberge
・ Gérard Théodore
・ Gérard Tichy
・ Gérard Tremblay
・ Gérard Tremblay (bishop)
・ Gérard Tremblay (racing driver)
・ Gérard Vachonfrance
・ Gérard Veilleux
・ Gérard Vergnaud
・ Gérard Vivès


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Gérard Souzay : ウィキペディア英語版
Gérard Souzay

Gérard Souzay (8 December 1918 – 17 August 2004) was a French baritone, regarded as one of the very finest interpreters of mélodie (French art song) in the generation after Charles Panzéra and Pierre Bernac.
==Background and education==
He was born Gérard Marcel Tisserand, but later adopted the stage name of Souzay from a village on the river Loire. He came from a musical family in Angers, France. His parents had met at one of the first performances of ''Pelléas et Mélisande'' in 1902; his mother and two brothers were singers, and his sister, 15 years older, was the soprano Geneviève Touraine, who gave the first performance of Poulenc's ''Fiançailles pour rire'' in 1942. After his schooling at the Collège Rabelais in Chinon, he went to the Sorbonne in Paris to study philosophy, and while there he met the singer Pierre Bernac, who encouraged him to study singing.
Souzay entered the Paris Conservatoire in 1940, studying with Claire Croiza and Jean-Emil Vanni-Marcoux. He actually began singing as a tenor, but in 1943, with advice from the leading operatic singer Henri Etcheverry, he became a baritone. He graduated from the Conservatoire in 1945 with two first prizes, the ''Prix de chant'' and the ''Prix de vocalise''. While at the Conservatoire, he also tried his hand at composition and in 1942 three of his settings of poems by Paul Valéry were given a performance by Pierre Bernac. He went on to study voice with Bernac, although he subsequently expressed some differences with the latter's methods and ideas on pronunciation. He was eager not to limit himself to being a specialist in the French repertoire, and he made a detailed study of German lieder with Lotte Lehmann.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Gérard Souzay」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.